Showing posts with label Guillermo del Toro. Show all posts
Showing posts with label Guillermo del Toro. Show all posts

Monday, July 11, 2011

Holy Cow! Guillermo Del Toro's Mimic: The Director's Cut!


Thank You Miramax for selling off all your back catalog!  And Thank You Lionsgate for recognizing the rabid desire of GDT fans!  I had pretty much given up on seeing a director's cut of Mimic.  I am sure that the extra seven minutes found within the new cut is not going to transform Mimic into one of the great genre pictures of the 1990s, but I am extremely curious to see what it does do and to listen to that new director's commentary.

I saw Mimic in the theater and I remember hating it upon first viewing.  I've grown to appreciate certain aspects of the film now, but it's still easily my least favorite of Del Toro's films despite some great creature work and Josh Brolin.  The new blu ray is coming to us September 27th and here are the special features listed over at Badass Digest:

· Video Prologue with director Guillermo del Toro- NEW
· Audio commentary with director/co-writer Guillermo Del Toro – NEW
· “Reclaiming Mimic” featurette – NEW
· “A Leap In Evolution – The Creatures of Mimic” featurette – NEW
· “Back Into The Tunnels – Shooting Mimic” featurette – NEW
· Deleted scenes – NEW
· Storyboard animatics – NEW
· Gag reel – NEW
· Theatrical Trailer


--Brad

Saturday, July 9, 2011

Guillermo Del Toro Fellini/Argento Dork Love


Thanks to Criterion Cast for pointing the way to this nifty bit of You Tube.  Guillermo Del Toro introduces a double-feature of Federico Fillini's Toby Dammit and Dario Argento's Susperia at the TIFF Bell Lightbox.  A fascinating combination of cinema if I've ever heard one.


--Brad

Thursday, June 16, 2011

Dork Art: Mondo Releases for The Devil's Backbone & Cronos


Mondo concludes its Guillermo Del Toro poster series with The Devil's Backbone and Cronos. The Devil's Backbone comes to you from Vania Zouravliov and Aaron Horkey and will come in three variations measuring 24 x 36.  It goes on sale this Friday at the usual random time; the standard costing $60 and the two variants costing $90.  The Cronos standard and variant will go on sale at a later date for a price yet named.

The Devil's Backbone is easily my favorite Del Toro film as well as my favorite cinematic ghost story.  But I gotta say that I'm a little underwhelmed by the Mondo print.  It's pretty and I love Horkey's lettering, but it just doesn't feel like the film to me.  I'm probably gonna give it a pass.  I like Martin Ansin's Cronos print a little bit better, but again I'm not in love with it.  So far, I've only scored the Blade 2 print from Mondo, having missed out on both of the Hellboys and the Pan's Labyrinth.  I'm cool with that.



--Brad

Monday, May 30, 2011

Don't Be Afraid of the Dark Trailer


The new international trailer for the Guillermo Del Toro produced remake of the 1973 Made-For-TV movie gives us some Katie Holmes and a little (but not enough) Guy Pearce, but the jury's still out for me.  At the moment I'm a little tired of Haunted House stories even if they do appear to have ghouls as well.  I know I've seen the original Kim Darby venture but I can't for the life of me remember anything about it.


--Brad

Wednesday, March 9, 2011

Del Toro's Madness


Deadline snagged Guillermo Del Toro in an attempt to clear up all this At The Mountains of Madness brouhaha.  You've got James Cameron producing, Tom Cruise starring, GDT directing--Not So Fast, Says Universal.

Interview Highlights:

        -- Del Toro implies that he's as shocked as anyone at Universal passing, "The week before the decision, I was scouting in the border of Canada and Alaska. We were a week away from opening offices in Toronto. We were crewed up, and frankly, I am as puzzled as most people are."

       -- Asked if this hurts his relationship with Universal Del Toro states, "That’s still unknown. We have active projects where I’m a producer there and I’m still going to pursue my year and a half or two years I have left in my time with Universal. As disappointed and heartbroken as I am, for the studio, this is a business decision."

       -- Despite moving on to his next Monster Film (with a PG-13 rating) Pacific Rim, Del Toro holds out hope for Madness one day, "...I will continue to press forward. I’m knocking on wood...I spoke to Tom, who has been incredibly supportive and who said, ‘Let’s keep going, let’s make this movie down the road.’ He’s definitely that interested and that happy where we were creatively. So we have good legs to travel on, if the time and the opportunity present itself."


So, basically, I'll believe when I see it.  I'm curious about Pacific Rim.  I think that it's really interesting that they were able to keep its development pretty much under wraps.  PG-13?  Whatever.  Del Toro just needs to get back behind the camera.  Cronos, The Devil's Backbone, Blade II, Hellboy.  These are some of my favorite movies of recent memory.  After the wonky tone of Hellboy II I need to see Del Toro knock one outta the park again.  

--Brad

Monday, March 7, 2011

Tom Cruise, Guillermo del Toro, and H.P. Lovecraft: Cosmic Horror on Ice


    If you had told me ten years ago that James Cameron was going to produce a movie by the guy who made Mimic, starring Tom Cruise, based on one of my very favorite stories by one of my very favorite writers, I’d have laughed in your face.  That would be like the director of Bad Taste winning an Oscar; just unbelievable.  Yet, that very thing seems to be in the works.  Perhaps the stars are right, and the Old Ones are returning after all.


    I’m not a fan of Tom Cruise.  OK, there.  I said it.  I didn’t care for him as a young pretty boy, as a slightly older handsome man, or as a middle aged crazy dude.  There are a few exceptions, but most of his performances are one-note, and not a note I like to hear.  But once in a while there is that one movie that works.  Eyes Wide Shut, Tropic Thunder, and Collateral for examples.  And, in spite of his recent public madness and religious zealotry, he’s still a name people know.  And at least his madness hasn’t involved drunken anti-Semitism yet, so he’s got one up on some other train-wreck celebrities. 


    James Cameron has always been a good money man.  Like George Lucas, he’s better at producing than he is at writing or directing, so having him in that seat for this film doesn’t phase me one way or another, unless he pushes to have it made in 3D, which I’m sorry, is just lame.  3D should be reserved for ridiculous, campy films like Drive Angry or Step Up 3D, where that sort of shenanigan is acceptable. 

60 years later, still a lame gimmick.
    H.P. Lovecraft is pretty much the creator of modern horror as we know it.  Clive Barker, Stephen King, Robert Block, Ramsey Campbell, and hundreds of other authors are direct descendents of Lovecraft’s body of work.  For a man fairly obsessed with the past, he kind of invented the future for writers of weird fiction.  And his story, At the Mountains of Madness is one of his most epic, and wonderfully revealing.  It’s not the story I would have expected to be the first to get a major Hollywood production, though.  The Shadow Over Innsmouth is the more obvious choice, as it’s action heavy and would probably translate fairly well to an hour and a half feature film with plenty of what viewers want.  Still, Madness is a great story, so I love the idea of it being brought to a larger audience through film, and for Lovecraft in general to get a little more recognition. 


    The wild card in this venture for me is del Toro.  Six years ago, I’d have called him one of the most exciting modern directors, alongside David Fincher, Christopher Nolan, and Peter Jackson.  Unfortunately, like those three, del Toro has spent the last several years hurting his image in my eyes.  I know everyone loved Pan’s Labyrinth.  But I didn’t.  There are some great elements, but much of what I liked about the film was lost among the things that upon reflection I disliked.  My overall feeling toward the film now is quite negative.  Then Hellboy 2 became one of the most painfully disappointing film experiences of my life.  I came out of the theater feeling shell shocked.  Everything I loved about the first film had been torn away to make room for a great looking bit of annoying gibberish that bore little resemblance to the comic that inspired it, and with inane Danny Elfman music accompanying my path to disillusionment.  Then two years wasted on a Hobbit production I hardly care about at all.  Ugh. 


    And del Toro has danced around this project for so long, I'd kind of given up hope he would actually do it.  Now that it’s happening, and Tom Cruise of all people has been attached to it, I’m less than thrilled.  Does del Toro really get Lovecraft?  Can Cruise put his ego and madness aside long enough to do his job (act)?  Will Cameron demand a PG-13 rating, 3D technology, or horror of horrors, a go at the script? 


    Who can say?  I can’t.  I love the idea of Lovecraft getting a big screen adaptation and the attention of generations of new readers that will bring.  If nothing else good comes out of this project, I’ll be happy with that.  But what if the movie is good?  What if the project is successful?  Nyarlathotep knows I’d be shaking with excitement like a shoggoth at a Wal-Mart 2 for 1 sale, if the movie turned out well.  Only time will tell.  But maybe, just maybe the stars are finally right. 


-Matt